The place where everyone hangs out, chats, gossips, and argues
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By Mk.
#183033
Glastonbury Mini-Reviews and Tales From The Weekend

The Thrills – Good stuff. Big Sur sounded great, plus seeing them kind of meant there was no need to see The Magic Numbers the next day

The Others – Had fun seeing these. That lead singer is a natural (part of why I saw them is because I apparently look like him) and the songs all have a good rocky kick to them. They made me feel guilty for being middle class though.

Babyshambles – 20 minutes late coming on stage meant I only stuck around for one wank sounding song.

Doves – Shame they opened with my favourite song from them (Pounding), but everybody really liked it and they’ve clearly come a long way from when first I saw them 4 years ago

The Killers – Aces. My favourite album tracks (Jenny, Somebody Told Me, Brightside) have never sounded better. 3rd favourite act of the weekend

Fatboy Slim – Reall, it’s impossible to imagine a better DJ set, and this was a great example of what can be done when a performance is given a sizable budget to play with.

KT Tunstall – The songs I turned up to hear (Suddenly, Other Side, Black Horse) struggled in such a big field, but the between song banter was great and generally fun was had

Kaiser Chiefs – Missed the first two songs thanks to KT, but their playful nature won me over immediately, with their stealing inflatable dinosaurs, taking the piss out of security and successful attempts at crowd surfing

Ash – A standard, solid set, though as I’ve never seen them that was more than enough. And God I adore Girl From Mars.

Keane – Bless Tom for yelling ‘GLASTONBURY!’ after the first song, bigger and better then he did last year. His continues complementing of the crowd grated after a while though. Still, fun was had. This was my third time seeing Keane and that’ll do nicely now until album #2.

New Order – They seemed a little lost on what was basically a Coldplay audience, but the areas of the set that I recognised were good fun. Ending with World In Motion seemed a bit overly patriotic for Glastonbury though

Coldplay – Lived up to my ridiculously high expectations. Swallowed In The Sea was an unlikely highlight, I still fail to understand the appeal of God Put A Smile Upon Your Face, and last night I spotted myself in the crowd on the BBC2 footage. Joint best set of Glastonbury 05

Folkface – Hilarious comedy set in the Jazz Lounge.
Thirteen Senses – Left after three songs, bored. Not really suited to playing in a big field I think.

Jools Holland – Ideal dancing music, and dance I did. Enjoy Yourself was one of the sing-along highlights of the weekend

Brendan Benson – Missed his full set, this was and acoustic effort in The Guardian Lounge. Seemed solid enough, for an act I don’t know one song by. Seeing him again on Sunday in Manchester.

Sons And Daughters – Rocked it up to a satisfying degree. Might have to get the album.

Mylo - Joint best set of Glastonbury 05. The actual quality of performance was a bit worse than the first time I saw him, but the crowd was so scarily up for it it didn’t matter. Danced for an hour straight and left covered in sweat. Anybody who doesn’t own this guy’s album needs their head checked.

Primal Scream – Only caught 10 minutes of their over-running set. This was car crash live music at it’s very best. The highlight was the stage manager coming on stage to force an end to the performance

Basement Jaxx – My least favourite of the three headline acts I saw, but they were still excellent. Not helped by an overly tall audience. Current single You Don’t Know Me was an unlikely highlight.

Stories Worth Telling From The Weekend

That Storm – I benefited from camping on a hill, and not leaving my tent until the worst of the rain had passed. The thunder and rain woke me up at half six, and I spent a lot of the morning listening to Radio 1’s attempts to cope with the flash floods.

On The Radio – On Saturday afternoon I headed to the Radio 1 Stage to watch Moyles and Vernon’s show live. Somehow I was front row dead centre when they started talking of a mystery band that would be along to play an acoustic set soon. A bit later they brought along equipment labelled Keane, later still and the band turned up, played Somewhere Only We Know just for the assembled crowd, then did an interview and Bend And Break on air. Needless to say I left quite smug that I’d had such a prime position for this surprise set.

Final Night and The Silent Disco – After Basement Jaxx’s set, and having successfully returned Krystina safely back to her caravan, I headed to The Silent Disco to see what it was like. The queue was huge so I visited The Pussy Parlur first, which was like I 50s décor club in the Dance Village. Very Cool. Didn’t stay long though, and headed to the Silent Disco.

This is really worth taking the time to explain. Brought in to help Glastonbury’s problems making loud noise throughout the night, upon entrance you are handed a pair of wireless headphones, and everybody dances along like a normal club night. Here’s the real genius though: There are two separate DJ’s, and your headphones have a tuning dial so you can constantly pick which one to listen to. Half the people then, are constantly dancing to something completely different to you. The DJ’s aren’t afraid to mix genres up, and the whole thing works as a competition between the two of them - they’ll occasionally ask you through the headphones to cheer if you are listening to them and will compete for the biggest response. One highlight was half the crowd singing Brimful Of Asha, while the other half shout along to Anarchy In The UK. Ridiculously good fun.

It was helped that the people I met in the Saturday night Keane/New Order/Coldplay crowd showed up, adding a reunion atmosphere to the whole thing. Finally left at half three in the morning, and was walking through my field when I figured that as sunrise was only about an hour away, and it’s a half hour walk across the site, I may as well for the first time see the sunrise from the stone circle. It rounded off the weekend perfectly, and finally got back to my tent at 7.

Slept for two hours, then packed everything up and made my way to the bus station, where the coach was the traditional 3 hours late turning up. Didn’t care though, this was for me the best Glastonbury yet. 2007 seems all too far away…
User avatar
By fish heads
#183035
The Silent Disco idea sounds like really good fun.
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By Lucie
#183050
I HATE YOU :x

:cry:
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By Gaspode_The_Wonder_Dog
#183051
cant mean me obviously... cos im loveable
By Fathomer
#183057
Secret Psycho anyone? :?
User avatar
By Lucie
#183061
Gaspode_The_Wonder_Dog wrote:cant mean me obviously... cos im loveable


haha. I was of course referring to the author of this thread although you are quite loveable :P.
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By kendra k
#183066
he's not that loveable. trust me.

that silent disco should totally become the wave of the future.
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By Gaspode_The_Wonder_Dog
#183069
shes trying to put you off... tut jealousy is so wrong.
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By kendra k
#183072
i'm just giving her the facts, nothing else.
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By DemonHorse
#183074
Kendra k wrote:that silent disco should totally become the wave of the future.


ha thats nothing, Nottingham now has a club that could lose it's license if it plays music... seeing as they haven't paid correct amount of copyright fees... (source: Nottingham Evening Post, Monday 27th June 05)

oh and Lucie... kendra's right, but also remember who offered to get behind you in the doomed-never-to-happen mud wrestling tournament...
Last edited by DemonHorse on Tue Jun 28, 2005 7:16 pm, edited 1 time in total.
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By kendra k
#183077
that's ridiculous! i understand licensing fees for music (some of my friends derrive most of their income from those fees), but it sounds like the companies are getting too greedy and insane.
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By Lucie
#183078
Nah Gaspode's comes across as quite loveable fo'sure.
Last edited by Lucie on Tue Jun 28, 2005 7:21 pm, edited 1 time in total.
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By Gaspode_The_Wonder_Dog
#183080
im considering suing kendra in a demonhorse style
User avatar
By DemonHorse
#183082
kendra k wrote:that's ridiculous! i understand licensing fees for music (some of my friends derrive most of their income from those fees), but it sounds like the companies are getting too greedy and insane.


Yup that's the record and film industry in general for ya.
User avatar
By kendra k
#183087
the sad thing is that the artists see very little of the money, if any.

gaspode, don't sue me! you still love me.
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By Gaspode_The_Wonder_Dog
#183090
i know.. plus more women on the board add a bit of decorum and credibilty.
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By kendra k
#183092
if that's the case, we should get loz back. i miss her and her tales of her deteriorated septum.
User avatar
By DemonHorse
#183094
kendra k wrote:the sad thing is that the artists see very little of the money, if any.


a part of a case for free downloading surely?

seeing as you're not stealing so much from the artists who (in some cases at least) work their arses off to entertain you, but from the fat cats who just lay back and take the credit for it all (but funnily enough, none of the flack when things go tits up). These kind of people, I can honestly say I have no problem stealing from.
User avatar
By fish heads
#183118
But by stealing, you're ensuring the artists who supposedly get little anyway now get even less
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By DemonHorse
#183122
If they're getting nothing, they lose nothing.

However I do think sites for legal downloading are just about cheap enough (especially for albums in most cases, at least in my experience) and those who get the ridiculously small percentage or nothing at all deserve more than the fatcats get.
User avatar
By fish heads
#183124
Well they aren't getting nothing, they are getting "next to nothing" allegidly, so they are losing somthing
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By DemonHorse
#183128
just not much.

Surely artists should rightfully get the larger chunk of any money their music makes, not some gimp in a suit who does next to bugger all.

I kinda see free downloading as an ideological protest against this kind of underhandedness by record companies who don't give a flying f**k about their artists but just about the money. Boycotting paying for music from these kinds of labels would hopefully deal the underhanded elements of the industry a blow that could make them change their ways.

Smaller labels and artists I am happy to support and pay for though, along with new music.
User avatar
By kendra k
#183131
i don't like piracy so much, because i know the artists usually need the money. that said, they can make it back on merchandise and stuff like that. certain groups, like coldplay, don't need my money, so i'd feel not as bad if i downloaded and illegal copy from them.
User avatar
By fish heads
#183132
DemonHorse wrote:just not much.

Surely artists should rightfully get the larger chunk of any money their music makes, not some gimp in a suit who does next to bugger all.

I kinda see free downloading as an ideological protest against this kind of underhandedness by record companies who don't give a flying f**k about their artists but just about the money. Boycotting paying for music from these kinds of labels would hopefully deal the underhanded elements of the industry a blow that could make them change their ways.

Smaller labels and artists I am happy to support and pay for though, along with new music.


I can see your point, but you could justify stealing a pair of trainers beacuse you don't like the way Nike treat their employees.

At the end of the day, I don't believe for a second that many pop stars are that hard up and yes the companies do earn a hell of a lot of money, but not paying for downloads isn't going to solve anything - because they'll end up sueing major downloaders and the people letting them do it - thereby earning themselves more money.

OK thanks, good to know. Does anyone have the cat[…]